Over the Hedge
I couldn’t tell how long I was in the cave, since we were too deep to see the sun and we were fiddling with my sense of time. But we tried again, with the same point on the same thread, a couple dozen or so times. Each time I would get a little closer to clarity, and then pass out, have some food and drink and time to rest once I woke up, discuss what I was seeing with the Fates, and then try again. I was starting to understand why they didn’t tend to teach others how to do this, and appreciate that they were taking the effort to teach me.
During the downtime, when I was recovering from one attempt and preparing for another, they would give me tips on ways to ignore certain kinds of things, and how to navigate once I was in, and occasionally slip into their versions of various Greek myths. They told me that once I had a proper understanding of how to see within a person’s thread, I would have to learn for myself how to access those threads from beyond the cave. They could do it, of course—they said that it was as easy for them as breathing was for me—but they were not skilled in magic and did not know what it would take for a mortal to access that same skill. I explained my understanding that magic was just the act of connecting to one side of reality and using it to influence the other, and they seemed to think they might have an idea for me before I left.
By this point I was getting some sense of what I was looking for. By filtering out so much extra information, I was able to piece together that I was peering into my own thread, probably somewhere in my past. By focusing on those things I now knew, I was making much faster progress at getting a clear view of what I was being shown. It was still a few more tries before I was able to actually see the scene. Finally, after so much trouble, I saw me, my face blank, my body raised above the ground. I still felt a certain resistance, and when I pushed through, everything changed.
I was no longer on the outside, looking at my face as though through a window. I was standing in the moment, in the Crossroads, and the Fates were standing there with me. The Crossroads looked different, though, and sat in a vast empty plain. Millions of little paths stretched off from it in every direction, some even going straight up into the sky and others directly into the ground. In the center of it all sat Hecate, as I had never seen her, her faces showing both vitality and death, youth and old age, wisdom and desperation. She sat on a throne of animated bone, at least twenty feet tall, holding her hand up toward me. I was floating such that my eyes were at the same level as hers, and she looked to be mid-sentence. From behind her, the ravens were entering the space, but seemed to be coming from the space itself rather than any of the roads. I don’t know how I knew that, but it seemed so obvious somehow.
“Is this what the Crossroads really looks like?” I asked.
“Well, no,” Clotho said. “This is just your mind trying to make sense of what it sees. But it is more like what the Crossroads truly looks like than you have ever seen.”
“Because you are not really here, so it is not reacting to your expectations or comfort,” Lachesis answered. I walked around, taking everything in, while the Fates waited and watched me.
“I thought this was going to be somewhere in my past.”
“It is,” Atropos said.
“Why don’t I remember this?”
“Perhaps,” Clotho offered, walking over and resting her hand on my shoulder, “you should try to see the scene in action.” I remembered that they said I would need to learn how to manipulate the flow of events. I considered how I would do that, and without consciously deciding it, I reached out with my hand and began to turn it counterclockwise like a dial. Hecate’s mouth moved as slowly as my hand turned, and the ravens began to move backward and melt back into the scenery. I watched as I was lowered back toward the ground. I turned my hand the other way, a bit faster, and saw everything continue moving forward at the new rate. I backed up again, and then pushed my hand forward as though pressing the dial.
I watched the whole scene play out. I watched as Hecate told me to lead Matteson to her. I watched as she commanded me to forget the encounter, and I paused it again as the ravens took human form and I was leaving. I took some deep breaths, trying to calm down, and felt the weight of time on the scene pressing into me a bit again. It took a few minutes of focus to push that aside again, while I paced quickly through the Crossroads.
“What is this? Why would she do that?” I asked, to no one in particular.
“The Hecate you know is not the Hecate we know,” Lachesis said. “Your experience of her has been limited to what you want from each other. But there is so much you do not know about her goals, and her methods, and where all of this leads.”
“Will I know?”
“Yes,” Lachesis answered, “you will see the ultimate end of her thousands of years of work. It will be painful, and difficult, but you will be there when she makes her move.”
“What is all of this about?”
“You have learned all we have to teach you,” Atropos said, firmly, and with a snap of her fingers we were back in the cave, with no sign of the Crossroads or even the tapestry. “Be mindful, dear mortal. As you search the unknown, never forget that there is far more of it than you can ever expect.”
“The first thing you must do is forget about learning to see time,” Clotho said, standing from her spinning wheel and resting her hand on the stone wall. It lit up with a brilliant tapestry, its form completely alien to me, that stretched on as far as I could see in every direction. It was so all-consuming that I could no longer even make out the cave. There was only the four of us, standing in the midst of the great image. “Time is too big, too senseless, too…unformed. It is vast and raw and chaotic, and if you truly succeeded at seeing it for what it is you would go mad.”
“Then what am I learning?” I asked, as I made my way over to look at the tapestry.
“To follow the threads,” Lachesis answered. She plucked at one thread in the tapestry, and it resonated like the sound of an unearthly guitar and rippled through the whole structure. “You cannot think anything so broad as looking at a time, or even a time and a place. There are so many things at play that you cannot possibly prepare yourself to experience that way. Instead, you learn to trace a single line, and see what it contains.”
“Even the King sees history in this way,” Atropos added, “through one set of eyes at a time.”
“The king?” I asked. “King of what?”
“Of us,” Clotho said. “And of nothing. The name is not perfectly accurate, but it was a name given by the one who named him. You have met the King and Queen already.” I thought for a moment.
“The ravens?” Clotho nodded. “I was told they were Muininn and Huginn.”
“Like all of us, they are known by many terms and take many forms,” Lachesis said. “It is not important which of their names you use, what matters is that he has seen all of time, he remembers all and recalls all.”
“If you don’t mind the tangent, I have been very curious about them for some time, and—”
“There is but one thing you need to know of them from us,” Atropos cut in, “and that is how they relate to the vision you seek. In a sense, she is the chaos of time, and he is the threads woven from it. We see in a manner that he permits and establishes, though it is not exactly as he sees. This is the skill we will teach you.” I took a deep breath, then nodded. Clotho took my hand and guided it toward a single thread, which suddenly seemed larger and more distinct, as if it was yearning to be touched by me, stopping just before making contact.
“You must learn how to see only what you need to see,” she said. “To peer at even a single moment in a person’s life is to see the full weight of the forces that have shaped and are being shaped by that moment. It is too much for mortal minds to grasp. You must learn to focus, to filter out all of the noise of causality and simply see what you are seeing.”
“How long does it usually take mortals to do this?” I asked. Clotho shrugged.
“We’ve never shown it to a mortal before,” Lachesis said, “and we never will again. But it is destined for you to learn it.”
“I thought you determined destiny.”
“When it comes to destiny,” Atropos said, staring off into space, “there is little difference between seeing and deciding.” Clotho nodded, then touched my hand to the thread.
The initial experience of touching that thread was like standing between a train and an airplane as they collided. There was deafening noise, impossible pressure squeezing me, rapid and fractured movement, flashes of light and color and parts of faces, of places, of moments. I heard the voices of the Fates urging me to focus, and I tried. It was overwhelming, and I didn’t even know what I was looking for. I searched for something solid, something secure, some point at which all of this was fixed upon. They said that the weight of causality would surround even a single moment, but that must mean that there is something at the core of all of this, that everything I was experiencing was built on the thing I was supposed to see. I tried to look deeper, to ignore everything, to see only what I came to see.
It was impossible to tell how long it took. I was feeling the movement of so much time that it felt like I spent centuries fixed in that one spot, but I don’t know how much of that was time that actually passed for me and how much was just the weight of the time I was trying to sift through. I kept trying to focus, trying to filter my experience, trying to dig and find the core, and I made some progress. I found some things I was able to block out of my senses, and things got ever slightly more clear. I kept pushing and pushing and pushing…
And then I collapsed. The experience left me entirely, and I found myself laying on the floor of the cave with the Fates standing over me. My nose was bleeding, my vision was blurry, and I was exhausted. One of the Fates, I couldn’t tell which, laid a platter of fruit and cheese in front of me, and I ate a couple grapes and a few olives before passing out.
Nan told me some months ago that it was probably not worth the effort to dig much into the two beings that appeared to me when I was tracking down Alethea. But something about them seemed important, and the lack of solid information on them in the lore we knew kept nagging at me. I had to see if I could find anything.
The first lead we had was the idea that they might be Odin's ravens, who were tasked with traveling around the world and reporting what they saw to their king. But the description given of them was vague at best, and they did not strike me as beings who answered to a Norse deity that would have no reason to interact with me. Their behavior did not strike me as passive observers. And when I sat down to think about it, I began to suspect I had heard something of them from Hecate.
It took a great deal of digging before I realized that the only places where I found references that may have described this pair were on the fringes. They were background entities, present for a great many first-hand accounts but rarely active enough to be remembered in later tales based on the events. Other spirits seem to know of them, though my experience and what I've heard from Nan suggests they are not a comfortable topic of discussion. But a few universal facts arose; they alternate between human and raven forms, they are always seen together, and they possess great power but are rarely seen using it. Then I began to put the words used to describe them into columns and that was when I noticed that the descriptions of the woman always seemed chaotic, wild, and active, while the descriptions of the man always seemed ordered, reserved, and cryptic.
When Hecate told me about Anchors and Warlocks, she claimed that they represented the same forces that 'The Two' represented; Anchors brought physical order to the metaphysical realm, while Warlocks brought metaphysical chaos to the physical realm. By association, then, perhaps the man (who is always described as clean dressed as human or solid black as a raven) is Order and the woman (who is always described as composed of swirling energy) is Chaos.
But what are they? Do they influence both realms? Do they influence only one? Or are they simply beings who operate in the domains of order and chaos and do not themselves control it? Hecate deeply hates ravens; is it possible that these beings claim some dominion over Anchors and Warlocks (who she also claims dominion over), and if so, are they rivals to her? Are they rebellious servants of hers, originally tasked as intermediaries between her and the humans under her domain?
There is something to this connection between her and them, and I cannot help but feel it is the reason they arrived in my life when they did. I cannot let this go now. I have to learn more.
The blog of Jackie Veracruz.